$297.00 USD

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Self-Paced Experiential Anatomy

Dive deep into the intricacies of Experiential Anatomy with instructors Christine Schneider and Jared Trudeau! This self-paced course offers a unique exploration of your anatomy in six parts:

1. The Jaw
2. Extrinsic Laryngeal Musculature
3. Intrinsic Laryngeal Musculature
4. The Tongue
5. The Pharynx
6. The Soft Palate.

Through engaging discussions and targeted vocal drills, you'll gain a profound understanding of the body's anatomy and enhance your vocal skills. In this self-paced format, participants have the flexibility to explore the material at their own rhythm, while still ensuring a personalized and immersive learning experience.

The Instructors
Jared Trudeau

Jared maintains an active private studio in New York City. His musical theatre and cross-over students can be seen in many Broadway, off-Broadway, national tour, and regional productions. His recording artists have performed worldwide, received Emmy nominations for their songs, and have charted on the iTunes Top 10.

Jared is the second-ever graduate of Penn State's M.F.A. program in Voice Pedagogy for Musical Theater. Prior to receiving his M.F.A., he graduated summa cum laude from Tufts University with degrees in Music and Psychology, receiving the Outstanding Achievement Award from the Department of Music as well as the Sal Soraci Prize for Excellence in Psychology. His honors thesis, “Belting Beauties and Soaring Sopranos: Voice Pedagogy to Address the Wide-Ranging Needs of Women in Musical Theatre,” received highest thesis honors.

Trudeau has quickly become a sought-after pedagogue due to his integration of practical studio skills and the most current voice science. He has served on the voice faculty of Molloy College’s CAP21 Theatre Arts Program and as a visiting faculty member at Penn State. For four years, he served as the head of voice for S.T.A.T.E., Penn State’s summer high school musical theater training program. Trudeau’s work as a researcher and guest clinician has brought him all over the United States. He has presented research at the Musical Theatre Educator’s Alliance (MTEA), Pan-American Vocology Association (PAVA), Fall Voice, National Association of Teachers of Singing (NATS), and Voice Foundation conferences. He also is on the faculty for the Vocal Pedagogy Professional Workshop at The Boston Conservatory. He has been published in the Journal of Voice and his current research with Amanda Flynn (recent Van Lawrence recipient) and Dr. Aaron Johnson (NYU) is funded by The Voice Foundation and a faculty development grant from Berklee. Jared is on the board for the New England Voice Foundation and is on the board of NYSTA where he works with Amanda Flynn running the Professional Development Program (PDP).

Christine Schneider

Christine Schneider has been a pioneer for manual laryngeal therapy in the US for over a decade. Her private practice in NYC, LifeLight Massage Therapy PLLC, specializes in laryngeal and TMJ treatments for professional voice users. Working alongside New York’s top Laryngologists, Speech Pathologists and Voice teachers, she provides the manual component for vocal rehabilitation and vocal health maintenance. In addition to her practice, she created The Visceral Voice, a program and podcast that brings her passion and knowledge for vocal health, anatomy, self-massage, and movement to the wide variety of vocal athletes throughout the world.

With Taylor Techniques, Christine has extensive training in Myofascial Assessment and Release and is an approved provider and educator.

Her other specializations include Visceral Components of the Neck and Thorax, Visceral Manipulation, and Neuromeningeal Manipulation from the Barral Institute, Treatment of Whiplash and Related Disorders, and CranioSacral Therapy.

She is also a certified Movement Specialist with training from The Brookbush Institute, Gray Institute, Immaculate Dissection, NASM, and the Institute for Integrative Health and Fitness Education. She is thrilled to be working as the movement coach for the Lindemann Young Artist Development Program at the Metropolitan Opera.

After graduating from Oklahoma City University with a Bachelor’s in Music in both Vocal Performance and French Horn Performance, Christine’s first expression of love for the voice was as a professional performer all around the world. She is a proud member of SAG/AFTRA, AEA, AGVA, and is a Voting Member for PAVA (Pan American Vocology Association). She is also the head of Research and on the Advisory Board for The Academy of Noise.